Early stages of Animation
These images come from my early drawings of the character depicted in In, Out and Around. I used tempera paint sticks and crayons to layer on colors and create exaggerated facial features.
That animation was made using stop-motion. To create the final design, I drew on paper with tempera sticks and cut them. These images show the final results of the character design for the animation, along with extra pieces that were used to change facial expressions and created more movement in the animation.
This animation is from the opening scene and originally used as one of the trailers made to promote the production. It layers the videos of animation used in the performance. The sound in the use consist of industrial and human noises, which alludes to the animation being a bridge between the digital space and physical space.
Here are the posters designs used to promote the production. Slide through to see various versions of the posters. The design is influenced by one of the character in the performance, "The Forgetful" is constantly writing things down in an attempt to remember what has happen. The paper texture background and handwritten font correspond with this motif.
Photos by Caroline Walkup
and Gaberiel Sharp
The purpose of this video is to show the characters being stuck in the loop. “The Forgetful” has been documenting the whole experience through video and writing in her notebook. When she becomes reacquainted with the camera, the projection shows her past encounters, which for in this case was the rehearsal process. The video shows scenes recorded during rehearsals including choreography and blocking of the script. This video will projected in the background of scene five of In, Out and Around. Below features a gallery showing the choreographic process, which was a collaborative process between Beatrice Miller and I, along with our five incredible dancers; Shaolin Cuevas, Lena Gilardi, Reese Windust, Akira Kong, and Molina Dew-Brunis.
Choreography
Final Animation
Poster Design
created by Alaire Galloway and Beatrice Miller with original score by Valerie Tauro
